The yellow wallpaper analysis ending a relationship

the yellow wallpaper analysis ending a relationship

Get an answer for 'What happened at the end the story? and find homework help for other The Yellow Wallpaper questions at eNotes. 6 educator answers; In "The Yellow Wallpaper," what is the relationship between the narrator and her . The Yellow Wallpaper enlightens the reader on women's health, motherhood, and particularly her fraught relationship with Dr Silas Weir Mitchell – who carved At the end of the story the narrator takes the opportunity of her. “The Yellow Wallpaper” by Charlotte Perkins Gilman is the story of a woman relationship between John and the narrator, and the possible correlation of that to the mannerisms and that in the end the narrator expressed herself with actions .

The Yellow Wallpaper - Wikipedia

Mitchell continued his methods, and as late as — 16 years after "The Yellow Wallpaper" was published — was interested in creating entire hospitals devoted to the "rest cure" so that his treatments would be more widely accessible. Her ideas, though, are dismissed immediately while using language that stereotypes her as irrational and, therefore, unqualified to offer ideas about her own condition.

the yellow wallpaper analysis ending a relationship

This interpretation draws on the concept of the " domestic sphere " that women were held in during this period. Although some claim the narrator slipped into insanity, others see the ending as a woman's assertion of agency in a marriage in which she felt trapped.

If the narrator were allowed neither to write in her journal nor to read, she would begin to "read" the wallpaper until she found the escape she was looking for.

Through seeing the women in the wallpaper, the narrator realizes that she could not live her life locked up behind bars. At the end of the story, as her husband lies on the floor unconscious, she crawls over him, symbolically rising over him.

This is interpreted as a victory over her husband, at the expense of her sanity. Lanser, a professor at Brandeis University, praises contemporary feminism and its role in changing the study and the interpretation of literature.

The Yellow Wallpaper

Critics such as the editor of the Atlantic Monthly rejected the short story because "[he] could not forgive [himself] if [he] made others as miserable as [he] made [himself]. Lanser argues that the short story was a "particularly congenial medium for such a re-vision. At first she focuses on contradictory style of the wallpaper: She takes into account the patterns and tries to geometrically organize them, but she is further confused.

the yellow wallpaper analysis ending a relationship

The wallpaper changes colors when it reflects light and emits a distinct odor which the protagonist cannot recognize p. At night the narrator is able to see a woman behind bars within the complex design of the wallpaper. Lanser argues that the unnamed woman was able to find "a space of text on which she can locate whatever self-projection". Feminists have made a great contribution to the study of literature but, according to Lanser, are falling short because if "we acknowledge the participation of women writers and readers in dominant patterns of thought and social practice then perhaps our own patterns must also be deconstructed if we are to recover meanings still hidden or overlooked.

the yellow wallpaper analysis ending a relationship

Cutter discusses how in many of Charlotte Perkins Gilman's works she addresses this "struggle in which a male-dominated medical establishment attempts to silence women. In this time period it was thought that "hysteria" a disease stereotypically more common in women was a result of too much education. It was understood that women who spent time in college or studying were over-stimulating their brains and consequently leading themselves into states of hysteria.

In fact, many of the diseases recognized in women were seen as the result of a lack of self-control or self-rule.

‘John laughs at me, of course, but one expects that in marriage.’ | lauren armstrong

Different physicians argued that a physician must "assume a tone of authority" and that the idea of a "cured" woman is one who is "subdued, docile, silent, and above all subject to the will and voice of the physician".

The room her husband selects as their bedroom, though large, airy and bright, is barred at the window and furnished with a bed that is bolted to the floor. The wallpaper is torn, the floor scratched and gouged. Perhaps, the narrator muses, it had once been a nursery or playroom.

The narrator spends much of her days being cared for — and often left alone — in this room, reading, attempting to write though the subterfuge this involved leaves her weary, she noted and, increasingly, watching the wallpaper, as it starts to take on a life of its own. Nervous exhaustion The story highlights the plight of many women during the 19th century. All women were seen by physicians as susceptible to ill health and mental breakdown by reason of their biological weakness and reproductive cycles.

And those who were creative and ambitious were deemed even more at risk.

‘John laughs at me, of course, but one expects that in marriage.’

The protagonist of the story might have been suffering from puerperal insanitya severe form of mental illness labelled in the early 19th century and claimed by doctors to be triggered by the mental and physical strain of giving birth. The condition captured the interest of both psychiatrists and obstetricians, and its treatment involved quietening the nervous system and restoring the strength of the patient.

the yellow wallpaper analysis ending a relationship

He wants to prove that she can be the perfect, obedient wife society is projecting onto their marriage, and her illness presents an opportunity. This is arguably one of the most symbolic and complex depictions of marriage. In this way, he becomes the ultimate enemy- he opposes her. Dramatic irony is used in the final sentences to subvert gender roles. For example, John is the one who faints: That he has been adorned on this pedestal of logic and reason makes the distinction even clearer between his behaviour now and previously.

This also draws up new boundaries between where the narrator and John stand in their marriage, because she has become the woman in the wallpaper: The inner madness she felt has been brought into the external world, and therefore into her marriage.